Forge — Bespoke Motorcycle Atelier
- Automotive
- Dark Mode
- Editorial
18 templates built the ordinary way: a hero, real sections, a horizontal rail you can drag or arrow through, and a contact form at the end. Things animate as they come into view. Nothing is driven by where the scrollbar is, and no 3D library is loaded.
That is a deliberate choice rather than a limitation. A scroll-driven scene is an argument for a product with nothing photogenic to show. An estate agency with fourteen neighbourhoods and a listing grid is better served by a page that loads quickly, reads plainly, and puts the search where the visitor already expects to find it.
Counted from the catalogue.
Conventional pages. Reveal animation, horizontal rails, and layouts a visitor has used a hundred times before without having to learn them.
Run a real filter, basket or finance calculator against the content on the page. Nothing on them is a screenshot of an interface.
The photography is embedded in the document rather than sitting in a folder beside it, so there is nothing to upload separately and nothing to break by moving it.
7 are built on a light ground and 9 on a dark one, which is worth knowing before you shortlist: the two do not photograph the same way in a deck, and changing one into the other is more work than changing an accent colour.
Every form on these templates validates its fields and shows proper error and success states — and submits nowhere. There is no server behind them. Connecting one to your inbox, a form service or your own backend is a small job for whoever deploys the site, and it is the first thing to do after licensing. The filters, baskets and calculators are a different matter: those run in the page and work as they appear to.
Product ranges with filters that actually narrow the grid and a basket that totals in place. The commonest use: a catalogue small enough to show whole, where the job is to make choosing easy rather than to impress.
Itineraries, departures and seasons — content with dates attached, where a visitor is comparing two operators rather than being persuaded that travel is nice.
One for a workshop selling craft and scarcity, one for a marketplace selling inspection data. Opposite ends of the same industry, and useful to show side by side.
Rooms and stays, pitched at the guest in one case and the owner in the other. Enquiry forms rather than booking engines — see the FAQ below on what that means.
Method-led studio pages, for practices whose argument is how they work rather than a gallery of finished rooms.
Listing grids with a search that stays where you left it. Both of these run their filters for real, because a property search that only looks like one is the fastest way to lose a viewing.
Single templates also cover agency (Prism — Presentation Design Studio), legal (Ardenwell — Advocates and Counsel) and technology (Abyssal — Subsea Camera Systems). The industry names the copy that ships in the demo, and copy is the easiest thing to change — so read them as worked examples rather than limits.
In the catalogue’s running order. Every card opens a live demo.
All 18 respond to the operating system’s reduce motion setting by standing down their reveal animations and smooth scrolling. The horizontal rails stay usable either way and can be driven with the arrow keys as well as by dragging, so nothing on these pages is reachable only by a gesture.
These are lighter than the scroll-driven half of the catalogue — no 3D library, no per-frame rendering — but each document carries its own photography inline, so the first request is larger than a page that fetches images separately. We publish no benchmark figures because we have not measured these in the field. Every demo is public: open one on the hardware your visitors actually use. What animation actually costs a page goes through the three mechanisms and what to check on any template before you license it.
Want the other half? The 3D collection covers the templates that build depth in the browser, or browse the full catalogue where these 18 sit alongside everything else.